top of page

Kate's Blog
Reflections on Nature, Disability, Creativity & Communication

Search
Kate Morley
Sep 5
3 min read

Updated: Sep 6

The blackberries are early this year

The relentless sun baking in bitterness

The briars seek new damp earth

They creep, arching stems bend and move

Protecting oaks that are just about holding on

The thorns protect the briar; the twisted stems of bramble guard the oak.


The brambles creep. They snag and obstruct the journey.

Maintenance budgets slashed here, money saved there

But the bramble is seen as the demon.

The bramble is the food and shelter for some,

The bramble snares and has more impact for 'others'.

Power and control may be determined by human hands that poison, snip and mow.


The bramble tells a story of inspiration

Inspiring men to control

Inspiring men to creep across the land.

Enclosing with ease. Twisting wires with barbs.

Barbed wire strands strung and strung

Dividing the land, keeping bodyminds away from home.


The ultimate tool of war- a metal 'proverb of slaughter'.

The piercing metal barbs are a tool for capitalising on fear and exclusion

... a tool for extraction.

Extracting the earth, extracting and disabling bodyminds, reducing life to value and worth.

White man seeks to define the 'wild',

An aesthetic of 'nature' that they seek to conquer and subjugate.

Barbed wire to control, brambles to be controlled.


As we pull and twist the wire away from this land

Strewn by ancestors seeking to boundary

The brambles seek out the new.

A fallen oak, in its place, light returns.

Light on the soil to entice the bramble on.

As the next canopy grows, the bramble moves from its shade.


Brambles caution us to think about excess,

Blackberries bursting on tongues, seeds in teeth, juice on beaks, a reminder to not hoard or take too much at the expense of others.

As its thorny strands twist and thread through the devalued scrub

Given time, can the land be mended?

The bramble is not a story of resilience and defying the odds.

The bramble is life on the move, stealthily unnoticed until it reaches too far for some.


Blackberries ripening, some are black some are small and red hanging on thorny bramble
Blackberries ripening. Image: K.Morley.

Note.

This piece was inspired by discussions I have had during my research studies around vegetation encroachment on paths and their impact on disabled people, and debates we have had as part of my module on the Rewilding Training course at Embercombe, where we discussed the power dynamics of control of the land and who gets to exist and who gets to decide what goes where. Bramble is something that thrives at Hill Crest, and it seems fantastical that some rewilders in the North of England are translocating brambles to their land by planting bramble plugs.


Bramble inspired the early invention of barbed wire and is mentioned in some of the early barbed wire patents as 'artificial bramble' or 'thorny fences'. In the 1800s, barbed wire was used as a tool for annihilation, colonisation and agricultural enclosure, and the use of barbed wire in the trenches in the First World War and its use by the Nazi's in their extermination camps has long made it a 'proverb for slaughter'- a reference to the Bramble's mention in the Celtic Ogham (Tree alphabet) kenning.


Over the years, we have removed many hundreds of metres of barbed wire from Hill Crest to help animals move across the land. As we come to remove the final few strands of barbed wire, and we now live alongside burgeoning bramble thickets visited by Grizzled Skipper caterpillars, and the pink-hued flowers are frequented by Comma and Red Admiral butterflies, among many others, I ponder the notion of 'natural regeneration' and how making more space for nature can be as much about active decisions of allowing the land to rest, reducing control and thinking beyond human timescales.


Steel barbed wire embedded in oak tree bark which is cutting into tree.
Barbed wire embedded in oak bark. Image: K.Morley.

Further information











 
 
Kate Morley
Jul 20
3 min read

The fire burns around you,

Licking at the tarmac.


The tyres turn- they do not burn,

But the fire reaches in.


To go forward or back,

The fire lures you on.


The fire teaches you that you are a mother.

Gotta get back.


The fire burns behind you,

The smoke in the mirror.


This is Devon, the green and lushness gone,

The summer of dry has parched the land.


The fire takes hold of precious gold,

Wildflowers or 'weeds', the fire 'values' it all.


The ground lies blackened by choices of the human hand,

Cigarette butt flicked, easy barbecues lit, signatures on policies written in invisible ink.


The fire burns inside of you,

Society's expectations and scrutiny pen you in, or spur you on.


The chemical messengers rage in your veins,

Driving a monthly cycle that fans the flames, as the remnants smoulder.


As the fire feels as though it's been extinguished,

The 'burnout' of a lifetime lived in this body, being held, being fought, where physiology becomes tinder dry.


The embers flicker; is it out or still alight?

The future fire has potential, but today I will not fight or fuel it.


***********************************************

Image: K. Morley. Flames of controlled fire in winter.
Image: K. Morley. Flames of controlled fire in winter.

This piece was inspired by a series of creative writing sessions that were led by Dr Tanvir Bush and supported by Dr Sarah Bell of the Sensing Climate project. The series was called ‘The Elementals’, with each session guided by an elemental theme; Earth, Fire, Water, Air and Spirit.

****************************************


Last week I was driving on the A38 back to pick up my daughter when I saw black smoke in the distance; as I continued to drive, I could see the flames ten feet high in the central reservation on my right, and the verge on my left was also alight. I was driving through a wall of flames. Should I stop or should I keep going? As the blue lights arrived on the other side of the road, I kept accelerating. This visceral immersion in flames was a surprise encounter in Devon, where we have switched from one of the wettest winters to one of the hottest summers.


Wildfires are becoming more common, and the impact on human health is now well documented. Disabled activists have written about how they are the 'canaries in the coal mines' and have the expertise to share when living on the edge of fire zones, such as breathing assistance, tools for keeping cool, and mutual care networks for evacuation. More needs to be done to integrate this expertise into climate change action plans in the UK, and the Sensing Climate project is working to bring this expertise to the forefront.


Here at Rewilding Hill Crest, we are aware of the impact of fire on the variety of species that we live alongside. We have a site-wide ban on disposable barbecues. Wildfires have also featured heavily in my PhD case study area in Bournemouth, Christchurch and Poole, with some of my interview participants describing the impact of smoke on long-standing health conditions. Dorset & Wiltshire Fire and Rescue Service (DWFRS) battled a record-breaking 900 grassland, woodland and crop fires in 2025. Whilst organisations provide advice on vegetation management next to homes to reduce 'the fire load', especially for homes next to urban heaths, for some residents this is something they do not have the physical energy to do. The impact on wildlife in this area is also considerable, with the Dorset Heaths Partnership, which also includes the Amphibian and Reptile Conservation Trust, trained to conduct rescue missions for species trapped by wildfires. The disturbing video of a roe deer bouncing across the scorched earth was shared by firefighters on social media after a deliberately started fire on Holt Heath in Dorset.


Learning to live alongside the risk of wildfires will require increased funding for Fire and Rescue Services that are becoming increasingly stretched and decisions around changing people's behaviour, which might involve measures such as banning disposable barbecues, as Mid-Dorset and North Poole's MP Vikki Slade has petitioned for in Parliament. Bold collective action is critical if we are to adapt to living alongside fire in these rapidly changing times.



Further information:








 
 
Kate Morley
Apr 28
3 min read

The drip shimmers in the emerging light. It falls to the ground made of clay. Which way will it go?


To the east, to drip, drip away. Into the combe to meet others, a flow started, it seeps through the voids and emerges through the bedrock and into the fern covered gullies.


The brook is formed and away it goes. Brook meets stream, stream meets river. The otters swim with purpose, their goal the gleaming scales of elusive prey.


Onwards past freshly gnawed trees from a newly returned friend who is busy creating pools and ponds to slow the flow, the noise of my passing triggering them, so they chew and pack branches to change the tone, and we pass by more calmly.


Onwards we go towards the sea. We are the Exe, we pass the mouth from fresh to salty as we carry cans and bottles, we know we've not always been this polluted and as the flow widens and deepens we remember the other journey we could have taken to the west.


If we had dripped to the west we would have passed through fords and weirs, kissing the granite boulders as we went, tumbling over archimedes screws, creating energy for these humans to use. Onwards passed mossy boulders we drift and carry along beech leaves and travel over re-created salmon spawning grounds. Gravel shaken and sorted in the hope of the return.


We are the Teign. Onwards and twisting and turning towards the gulls and the cries of the oystercatchers wading and probing at the edges.


As we come to the mouth and pass the deteriorating pier, a memory to the promises of fun and excitement now ravaged by our power and that of the wind. But as the waves crash today, a pod of dolphins swim past hugging the cliffs and caves shaped in a desert so long ago- a drip that fell so far away, combining with a force that can wither stone, we all endure.


***************

Close up of rain drop on vetch plant
Image: Kate Morley. Rain drop on vetch

This piece and the villanelle below was written as part of a series of creative writing sessions that are being led by Dr Tanvir Bush and supported by Dr Sarah Bell of the Sensing Climate project. The series is called ‘The Elementals’, with each session guided by an elemental theme; Earth, Fire, Water, Air and Spirit. The above piece honours the fact that Longdown and Holcombe Burnell Parish have tributaries of both the River Teign and the River Exe that start in the parish, both of which were monitored by Kate as part of the Westcountry Rivers Trust CSI scheme which measures water quality and flow measurements


**************


From Drip to Storm- a villanelle

A drip falls so small and fleeting

The wind builds over the hills the air is shook

Combined to form a storm- giving a good beating


Lets pull and push in unison, together we form a wave

No place to hide, not even a sheltered nook

A drip falls so small and fleeting


We all move together- the weather is our slave

The dolphins glance ashore, not more than a cursory look

Combined to form a storm- giving a good beating


We move as one, no rules to make us behave

Let's tear it up, there is no rule book

A drip falls so small and fleeting


Who will be rescued, who will they save?

Extracted, polluted, a resource they just took

Combined to form a storm- giving a good beating


Power of togetherness we freely gave

Like passing shoals avoiding the nets- being let off the hook

A drip falls so small and fleeting

Combined to form a storm- giving a good beating


********************

Further reading:

 
 
Phoenix Stained glass window by James Paterson (Kate's great Uncle) from Saint Sidwell's church Exeter

Whealphoenix Ltd

AHCs-Registrants-Mark-768x577-1-672x505.png
thumbnail_Devon Wildland Logo png.png

© 2026 by Nature's Ear. Hill Crest, Longdown, Exeter. EX6 7SR Kate Morley

red and black cinnabar moth
bottom of page